ST. MARY'S DOWNTOWN-HOME OF THE "CHRISTA PIXIE"

St. Mary's downtown
Rochester. Renovated
multiple times since the
70's. The christa pixie
cross reflects the leader-
ship and many of the
renovated parishioners.

sanctuary of St. Mary's downtown with "transgendered christa pixie" center stage.

"transgendered christa pixie" at St. Mary's downtown on sanctuary behind altar table as shown on previous photo.
FYI: the "crista pixie" has a beard.





St. Mary's downtown Rochester.
The "transgendered" christa pixie
processional cross on sanctuary
behind altar/July 2000
"You've come a long way baby."

the transgendered "christa pixie" has a beard
July 2000./ St. Marys downtown Rochester.
"Let bishops carefully exclude from the house of God and from other sacred places those works of artists which are repugnant to faith, morals, and Christian piety, and which offend true religious sense either by their distortion of forms or by lack of artistic worth, by mediocrity or by pretense".
------Sacrosanctum Concilium,Pope Paul VI, 1963
Vatican II.

ST. AMBROSE - the pit that eventually cost $800,000 as told to NBC by pastor after telling Finance Committee and parishioners cost was $400,000.


View of St. Ambrose from
front entrance.Sept 30, 2000,

ALL parishioners were told that the
cost would be $400,000. Paid for by
"donors". Democrat and Chronicle
was told cost is $700,000.
(see Oct 16 2000 article titled
"designs on bricks and mortar"
by Jay Tokasz.

This is a member of the ""guerrilla
warfare" team who Father Hart
(Vicar/Rochester diocese) is upset
about as reported in the Democrat
and Chronicle of Oct 16, 2000. This
young man with suspicious glasses is
viewiing dumpster outside St. Ambrose.

They told all parishiohers to not
go near Church during reckovation.
We can see why.
St. Ambrose/Oct 13, 2000.

NOTICE:
WE ARE RECKOVATING HERE
ST. AMBROSE SEPT 30, 2000

The Last Supper
John the Apostle on
Jesus's shoulder and
a different type on the
other side sayng "who me?"

They say St. Ambrose can stay.
Will he want to stay?

St. Theodores
Roman Catholic?
Church
renovated in 1999.
Domus Dei
(House of God)

renovated sanctuary
at St. Theodores
Will your parish be next?
Example of Domus Dei
converted to rounded
theatre environment.
Where is the Tabernacle/Blessed Sacrament?

The tabernacle renovated to
be as far away as posible from
the sanctuary/altar in a seperate
room. Insult to Domus Dei.
(House of God)

Stranger on the sanctuary/altar of St.
Theodores Roman Catholic Church.
General Instruction Roman Missal:
"a cross with the figure of Christ crucified upon
it." (instruction published in year 2000)
Looks illegal. Somebody better call the vatican
or the vice squad. Domus Dei is House of
Jeus Christ..
Renovated in 1999.

St. Theodore's/ wreckovated "Christ Crucified"

General Instruction Roman Missal speaks always of "a cross with the figure of Christ crucified upon it". (308, 122) This cross, "positioned either on the altar or near it"....and at all times recalling "for the faithful the saving passion of the Lord"....(308)

This is inside the room
that contains the tabernacle.
Somebody has a lot of
money to replace our
sacred heritage.
St. Theodores/renovated
1999.

babbling brook of
St. Theodores.
These babbling brooks
remove the silence, and
distract the brokenhearted
when trying to search
for guidance from Jesus or
Our Lady, Queen of Saints.
Why would they want to do
that?

renovated stain glass
St. Theodore's

Christ the King. Renovated in
June/2000. These rounded
theatres are designed to force
us to focus on the drama of
choir and each other. It is a
planned distraction parading
as "worship space", but intent
on utilitarian social purposes.,
i.e. from jazz to plays, dances
and eventually political "gatherings",
as well as non-Catholic denominational services.
To the progressive mentality, it all fits in their understanding of the "social gospel".

"Theatre in the Round"

Christ the King-renovation completion in June2000. Tabernacle in right corner.Remove the consecrated Hosts and crucifix; then this "worshipspace" can more easily be used for any "gathering". It could be a modern synagogue, a theatre, auditorium, or space for Congregationalist assembly.
(see website: SYNAGOGUE 2000, a business where Dr. Richard Vosko (Phd is in education not architecture) as team member and consultant has slide presentation and recommended books to read, emphasizing all encompassing utilitarian vision of the progressive mentality)

Although we would hope Jews as well as Catholics find it strange; the fact is Vosko's completed renovation of a synagogue is
very similar to his plans for San Fernando Cathedral in San Antonio.

General Instructions
Roman Missal states
tabernacle to be
"immovable, solid,
unbreakable, locked
and not transparent."
The older tabernacles
met the standard.
Why the expense for a
mediocre substitute?
Christ the King
renovated June/2000
.

renovated stain glass
Christ the King

renovated stain glass
Christ the King

unnecessary babble
but expensive (15-20 grand)
noisy. distracting
babbling brook.
Christ the King
renovated.


OUR CONCERN
IS COSTLY AND UNNECESSARY
RENOVATIONS THAT APPEAR TO
BE WRECKOVATIONS; HEREIN
KNOWN AS RECOVATIONS OR
RECKOVATIONS OF ROMAN CATHOLIC TRADITION AND CATECHESIS IN ARCHITECTURAL ATTEMPTS TO DE-
SANCTIFY OUR SACRED SPACE
WITH A SECULAR/UTILITARIAN
VISION. THE FORTUNES THEY SPEND
ARE DENIED TO THE POOR AND
SHORTCHANGE OR POSSIBLY
BANKRUPT THE CHURCH OF OUR
CHILDREN.

DOMUS DEI (HOUSE OF GOD) is
OUR SANCTUARY FROM THE SEC-
ULAR ENVIRONMENT, AND THE
SAFETY NET FOR THOSE WHO
FOLLOW US. DOMUS DEI IS THE
SANCTUARY FOR THE BELIEVER
AND THE ENVIRONMENT FOR
HEALING THE BROKEN.

WE REJECT THE UTILITARIAN
NOTIONS OF "EXPERTS' WHO
CLAIM VATICAN II REQUIRES
A CIRCULAR EMPHASIS TO
CHURCH ARCHITECTURE, AND
A DEGRADING OF THE REAL
PRESENCE OF JESUS CHRIST
IN OUR TABERNACLES; WHILE
MOVING/HIDING HIS PRESENCE.

"The Blessed Sacrament is to be
reserved in a solid, burglar-proof
tabernacle in the center of the
high altar if this is really out-
standing and distinguished."
Inter Oecumeni,
Sacred Congregation for Rites
1964, no. 95

"The tabernacle in which the Most
Holy Eucharist is reserved should
be placed in a part of the church
that is prominent, conspicuous.
beautifully decorated, and suit-
able for private prayer."
CODE OF CANON LAW, 1983,
can. 938.2
We claim that there is no pressing
request from authentic Church
documents that require moving/
hidden tabernacles.


WE CLAIM THAT A FALSE SPIRIT
IS PRESENT IN THE AMBIGUOUS
"SPIRIT OF VATICAN II", WHO HAS
STEERED MANY TO A FALSE SET
OF CONCLUSIONS. THIS 'SPIRIT'
DOES NOT COMPREHEND THE
FATHERS OF VATICAN II OR THE
DOCUMENTS PRODUCED WITH
THE GUIDANCE OF THE HOLY
SPIRIT.
WE CLAIM THAT USING
ST. PATRICKS CATHEDRAL IN
MANHATTAN, NEW YORK OR THE
GREAT CATHEDRALS OF EUROPE
WITH THEIR PUBLIC/MUSEUM
TYPE OF REALITY; WHICH REQUIRES
PROTECTION OF THE SACRED IN
A SEPARATE CHAPEL, IS A CHEAP
INTELLECTUAL ATTEMPT TO CON-
FUSE THE FAITHFUL, WHILE MASK-
ING A HIDDEN AGENDA.

"It is recommended that, as far as
possible, the tabernacle be placed in
a chapel distinct from the middle or
central part of the church in places
which are much visited for their
artistic treasures ... The Blessed
Sacrament should be reserved in a
solid, inviolable tabernacle in the
middle of the main altar, or on a
side altar, but in a truly prominent
place."
Pope Paul VI, EUCHARISTICUM
MYSTERIUM, 1965

"There exists no mandate requiring the
the movement of the tabernacle during
a restoration project. Of the places
which are prominent, conspicuous
and well decorated, the high altar fits
this description more than any other
place in the church."
Michael Rose
in the "Renovation Swindle at
St. Martin Church, Cheviot, Ohio"
(Mr. Rose is a certified architect, who
has extensive experience in Church
architecture.)

Currently, our problems are centered on
a strange willingness to misinform and
deceive parishioners by many clergy
and parish administrators. Their
conscience dictates a modus operandi
of "ends justify means". Their vision is
of a different religion. We are, in fact
"Two Religions under one Tent."

The next item is the begining of Page Five.



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